In August 1943, when she was 13, Kaur gave her first live performance on Lahore Radio, and the following year made her first record, along with her sister, for HMV. The duo soon became household names across the sectarian divide, and no Punjabi wedding was complete without their songs - played on hand-wound machines with mother and daughter as protagonists. In Punjabi culture, the departure of the newly wed daughter is always a heart-breaking scene, which from her family’s side can only be seen as death before reincarnation. After the partition of India split the Punjab in 1947, Kaur moved to Delhi with her parents, and then to Bombay, the centre of the Hindustani film industry, working as a film playback singer until 1952. She then returned to Delhi and married Joginder Singh Sodhi, a lecturer in Punjabi literature at Delhi University: “He was the one who made me a star,” she recalled. “He chose all the lyrics I sang and we both collaborated on compositions.” They both travelled to farflung villages in East Punjab for Ipta, the Indian People’s Theatre Association, run by the Indian Communist party and spreading the message of worldwide peace.
Sawan Da Mahina AA Gya
Mainu Heerian Herian Akhey
Je Jawani Da Maza
Man Da Balm
Gala-Gala Wich Gal Pyar
Main Door Chala Jawanga
Wasta-e-mera
Bollian Te Mahiya
Ek Meri Akh Kashni
Char Ping De Hulare
Jugni
Sapni De Wang
Hai O Mere Dadya Rabba
Gori Diyan Jhanjhran
Lathe Di Chadar
Ik Meri Akh
Ari Ve Ari
Kali Teri Gut
Kala Doriya
Ve Lai De Manu
Mawan Te Dhiyan Ral
Dachi Walia Morh
Suhe Ve Cheere Walia
Ni Main Katan Preetan
Boohe Te Marangi Zandra
Boohe Te Marangi Zandra
Harian Ni Malan
Langh Aja Pattan Jhana
Andar Jawan Bahar Jawan
Modenga Kad Muharan
Chan Veke Shokan Meledi
Ni Main Klon Kar Jawan
Chan Kitha Gujari
Lathe De Chadar
Shaunkan Mele Di
Vehle Sajna De
Masya De Mele
Mainu Mahi Ni
Mainu Deor De
Bajre Da Sitta
Sui Ve Sui
Jutti Kasuri
Ve Mundea
Sade Ta Vehre
Sarke-Sarke
